She decided that she wanted to lock herself in a room and draw; “draw so much, and so long, and so hard, and so intensely, that [she] saw what [her] actual aesthetic was,” she says. What she grappled with, however, was exactly how to do that, and how to get the money to make it a reality. Crabapple tells the crowd that her friend, comic book writer Warren Ellis, advised her not to “wait for other people's permission” to start something big. “Just rent a hotel room,” he told her. “Cover it in paper. Fill the paper with art. Livestream it. You have your project.” So she did just that—transforming a hotel room into 270 square feet of art while the entire Internet watched her live from their computers. She ended up raising $25,000 and, it's safe to say, broke out of her late-twenties slump.
On the stage, Crabapple urges her audiences to take hold of their dreams and make them a reality. Holding true to the advice she was given to not ask permission, she tells her students at the Dr. Sketchy’s Anti-Art School—which she founded at age 22—to take risks and disrupt the scene around them. She is the author of Discordia (with Laurie Penny), the forthcoming Straw House, and Week in Hell. In her books and her talks, she asks us to question what it means to make art, and how public spaces can be utilized for our own artistic explorations.