Jelani Cobb

Jelani is a staff writer at The New Yorker, writing on race, history, justice, politics, and democracy, as well as Columbia University’s Ira A. Lipman Professor of Journalism and Dean of Columbia Journalism School. He recently co-edited The Matter of Black Lives, a collection of The New Yorker’s most ground-breaking writing on Black history and culture in America, featuring the work of legendary writers like James Baldwin and Toni Morrison. Jelani also edited and wrote a new introduction for The Kerner Commission—a historic study of American racism and police violence originally published in 1967—helping to contextualize it for a new generation. The condensed version of the report, called The Essential Kerner Commision Report, is described as an “essential resource for understanding what Jelani calls the ‘chronic national predicament’ of racial unrest” (Publishers Weekly).

During a historic election, Jelani investigated allegations of voter fraud and disenfranchisement as a PSB Frontline correspondent in the documentary Whose Vote Counts, revealing how these unfounded claims entered the political mainstream. He clearly presents how racial inequities, COVID-19, and voter suppression became interlinked crises, contributing to a long legacy of inequality. For tackling one of the key issues at the heart of modern U.S. politics and carefully elucidating what the fight for voting rights looks like in the 21st century, Whose Vote Counts received a Peabody Award. Jelani was also the correspondent for the Frontline documentary Policing the Police, where he examined whether police reform is a viable solution in the wake of mounting protests calling for racial justice, and explored how we can hold police departments accountable. Previously, Jelani was prominently featured in Ava Duvernay’s 13th, her Oscar-nominated documentary about the current mass incarceration of Black Americans, which traces the subject to its historical origins in the Thirteenth Amendment.