Molly Crabapple

In a few short years, Molly Crabapple has proved to be one of the most determined and effective political artists working in these sorry times. I wish there were a hundred or even two or three like her.Joe Sacco

There is no easy way to sum up Molly Crabapple’s career. Her projects range from reporting on the inhumane conditions of immigrant labour camps in Abhu Dhabi, to capturing New York City before and after the onset of the pandemic, to collaborating with Marey Carey on her rhapsodic “Save the Day” music video—paying homage to prominent Black figures such as Breonna Taylor and Frederick Douglass. Crabapple has travelled the world; to Syria, Lebanon, Turkey, The United Arab Emirates, Spain, and Greece, documenting life amidst war and violence with her pen and brush. She was shortlisted for a Frontline Print Journalism Award for her internationally acclaimed reporting on Guantanamo Bay—and her work on the aftermath of Hurricane Maria in Puerto Rico was equally gripping. Fierce and courageous, Crabapple makes visible the things we might not want to see: riot-torn cities, the torment and misery of war, and human suffering on a grand scale. But she also helps us envision a new world: in the sequel to the Emmy-nominated short “A Message from the Future with Alexandra Ocasio-Cortez,” Crabapple illustrates a future where 2020 is a historic turning point; “where the lessons of the Covid-19 pandemic and global uprisings against racism drive us to build back a better society in which no one is sacrificed and everyone is essential.”

Recently, Crabapple illustrated the Equal Justice Initiative’s groundbreaking Reconstruction in America—a report which examines how the lawless years following the Civil War helped cement the nation’s future of racial hierarchy and white supremacy. She was also commissioned by The Marshall Project, an journalistic organization dedicated to criminal justice, to illustrate a “The Zo”: an award-winning documentary series detailing the power struggles between incarcerated people and their captors.

Crabapple’s illustrated memoir, Drawing Blood, received rave reviews in The New York Times, The Economist, Die Welt, and many other publications. Her book Brothers of the Gun, long-listed for the National Book Award, saw her collaborate with a Syrian journalist Marwan Hisham to write (and illustrate) his experience of  life under ISIS. The book was named one of the 100 Notable Books of 2018 by The New York Times. Her other published books include Discordia (with Laurie Penny), on the Greek economic crisis, and the art books Devil in the Details and Week in Hell. A contributing editor at VICE, Crabapple’s reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker and more.

Crabapple has been called “equal parts Hieronymus Bosch, William S. Burroughs and Cirque du Soleil,” by The Guardian, and “THE artist of our time” by comedian Margaret Cho. She spent four years as the staff artist of The Box, one of the world’s most lavish (and notorious) nightclubs. Crabapple has taken her sketchbook from burlesque halls to refugee camps, always with a skeptical eye for power. She is also the illustrator of Matt Taibbi’s New York Times bestseller The Divide and has collaborated with Spike Jonze, Esperanza Spalding, and Patton Oswalt. She regularly speaks to audiences around the world, at institutions such as The Museum of Modern Art, The London School of Economics, and Harvard and Columbia Universities. Her works are held in the permanent collections of the Museum of Modern Art and The New York Historical Society.