Teju Cole

“He is a writer for our times.”

— The Guardian

Teju Cole is currently the Gore Vidal Professor of the Practice of Creative Writing at Harvard. He is formerly the photography critic for The New York Times Magazine from 2015—2019 (a position he originated). In both writing and photography, Teju combines his eye for beauty with his capacity to perceive human and civic truth.

In his latest book Tremor, we follow Tunde, a West African teacher of photography on a renowned New England campus, as Teju engages with music, race, and history to explore the passage of time and how we mark it. In a starred review, Publishers Weekly described it as “remarkable and experimental. Everything hangs together brilliantly, due to Cole’s subtle provocations and his passion for art and music. It’s a splendid feast for the senses.” Tremor was named to TIMEs 10 Best Fiction Books and 100 Must-Read Books, Publishers Weekly Best Fiction, Financial Times Best Fiction, and Washington Post’s Notable Works of Fiction.

In Black Paper, Teju asks: What does it mean to sustain our humanity in times of darkness? One of the most celebrated essayists of his generation, he raises and explores, with razor precision, some of the most important ethical questions of our time: what does it mean to be human, to bear witness to the humanity of others, and to recognize how our individual present is informed by a collective past. “To read this book is to enjoy the generosity of his thought, to be invited into a contemplation of your inner life, to embrace the complexity of others, and to see in the darkness not only despair but also understanding and even refuge” (The Guardian).

Open City, awarded the New York City Book Award for Fiction, the Internationaler Literaturpreis, and the Windham Campbell Prize for Fiction; and was named one of the best books of the year by The Guardian, Newsweek, The Atlantic, The New York Times, and more. Teju has even been heralded as “among the most gifted writers of his generation,” by Salman Rushdie. His second title,  Known and Strange Things, collects a series of essays that span art, literature, and politics, with topics ranging from the White Savior Industrial Complex, and Black Lives Matter, to Snapchat and Shakespeare. It was named one of TIME’s Top 10 Nonfiction Books, as well as one of Harper’s Bazaar’s 13 Best Books, and made Kirkus Reviews’ Best Nonfiction list. His novella, Every Day Is for the Thief, has been “widely praised as one of the best fictional depictions of Africa in recent memory” (The New Yorker) and was named one of the best books of the year by The New York Times, The Telegraph, The Globe and Mail, and NPR.

Teju’s incredible solo exhibit in Milan, Punto d’ombra, was published as a gorgeous collection of photographs in the book Blind Spot: each full-color photo accompanied by selections of lyrical prose that explore “the mysteries of the ordinary” (The New York Times Book Review). Blind Spot was named one of TIME’s Top 10 Nonfiction Books of 2017.

Recently, Teju was invited by the Museum of Contemporary Art in Chicago to curate an exhibit, titled “Go Down Moses”, after the well-known spiritual song. The exhibit explores themes of freedom, suffering, the environment, and the future—and marks Teju’s major curatorial debut.