Chuck Klosterman

“Writing about pop culture doesn’t get any better than this, or any funnier.”Stephen King on Fargo Rock City

“One of the most insightful critics of pop-culture writing today” (Publishers Weekly), Chuck Klosterman is not a detached academic who deconstructs culture at arm’s-length. He’s a regular guy whose curiosity is insatiable, infectious, and hilarious—showing why “pop” is a conversation that anyone can join in on, and capturing what it feels like to navigate our weird, wired, pop-obsessed moment right now. He is the New York Times bestselling author of eight nonfiction books (most notably Sex, Drugs and Cocoa Puffs and I Wear the Black Hat) and two novels (Downtown Owl and The Visible Man). Downtown Owl was recently adapted into a film.

His most recent work, The Nineties, is a “superb reassessment of an underappreciated decade from a stupendously gifted essayist” (Booklist). In it, Chuck explores the massive cultural shifts of the ’90s, using the past to give us a glimpse into our future. It’s “a fascinating trip down memory lane” (TIME) from “Generation X’s definitive chronicler of culture” (GQ).

His earlier works include Raised in Captivity,  a collection of surreal short stories so true they had to be wrapped in fiction for our own protection. The Washington Post calls it an “engagingly sardonic collection that will leave you, like one of Klosterman’s own bewildered characters, ‘relaxed and confused.’” Another recent collection, Chuck Klosterman X, compiles and contextualizes the best of his essays from the past decade, with pieces written on everything from Taylor Swift, Jonathan Franzen, and Charlie Brown, to Mountain Dew and steroids.

His previous book—debuting in its first week on The New York Times bestsellers list—is But What If We’re Wrong?: Thinking About the Present As If It Were the Past. It’s both an earnest attempt to speculate on what, and how, our culture might transform over time, and a rational inoculation against the dangers of assumption. It dispels the “casual certitude” of our era by imagining what culture might look like 100, 300, or even 1,000 years from now.

One of the brightest pieces of pop analysis to appear this century.The Onion on Sex, Drugs, and Cocoa Puffs

Chuck has written for The Washington Post, The New York Times, SPIN, Esquire, GQ, The Guardian, The Believer, Billboard, The AV Club, and ESPN. He served as The Ethicist for The New York Times Magazine for three years, where he dispensed uncommon wisdom on moral conundrums, and appeared as himself in the LCD Soundsystem documentary Shut Up and Play the Hits. He also created the web site Grantland with Bill Simmons.