David Kong

As Director of MIT Media Lab’s new Community Biotechnology Initiative, David Kong empowers inclusive communities through biotech (the process by which living systems—DNA, tissue, plants—are adapted for new and useful technologies). And this means asking broad, vital questions. How do we design a future in which biotech, and science in general, is accessible to everyone? How do we demolish artificial divisions between culture and engineering, science and art? And how can we involve underrepresented people in cutting-edge STEM fields?

Biotech is arguably the major science of the 21st century. But to expedite its arrival, Kong argues, we need new models of knowledge production—groups from a wide range of backgrounds doing vital work away from traditional labs—much like the homebrew computing groups that gave way to Apple. It’s all about getting communities engaged now, while the tech is still being shaped. But that also means the movement hinges on accessibility: of tools, spaces, and infrastructure. So Kong champions grassroots labs away from college, federal, and corporate structures, designed specifically to be available, and appealing, to people who might never encounter biotechnology. He’s the co-founder and managing faculty of “How to Grow (Almost) Anything,” an MIT course on synthetic biology (read: a means of applying engineering frameworks to living systems to make them easier to design) that reaches labs in places like Switzerland, Latin America, and Japan, yet still demonstrates how to perform fruitful genomic experiments.

It’s also why he works to ‘culture hack’ biotech’s limited public perception, and connect the discipline with cultural languages—like hip-hop. His ‘Biota Beats’ project uses a microbial record player to translate microbes from the human body into music (he’s even sampled DJ Jazzy Jeff’s unique makeup). As a DJ, beat-boxer, vocalist, and rapper, he’s performed at South by Southwest, the Staples Center in Los Angeles, and Brooklyn Bowl, opening for hip-hop legend Questlove. He is also an an award-winning vocal arranger and producer, so naturally, Kong was the official DJ of the Global Summit on Community Biotechnology, where he performed a composition called “Uni-Verse,” designed from bacteria sampled from 3,000 students (a vision of the shared global community, via microbes!).

Outside the lab, he’s worked as a community organizer for more than a decade. As the founder of EMW—an art, technology, and community space in Cambridge, MA—he champions the transformative power of artistic expression and arts-based programming with values rooted in social justice. Serving marginalized communities—from LGBTQ to Asian-, African-, and Muslim-American—he explores and uplifts through forms like poetry, electronic music, beatboxing, and (yes!) bio-hacking, involving community labs and dissolved silos between science and art. But while he was founding this group he was also working with the Department of Homeland Security and FBI as part of MIT’s Lincoln Laboratory—moving from DARPA projects during the day to social justice organizing with Black Lives Matter at night. While he collaborates with Harvard Business School and MIT Sloan, he’s also an artist—his photography has been exhibited at the Smithsonian in Washington, D.C.—and his exhibit, I Want the Wide American Earth: An Asian Pacific American Story, can be seen at the National Museum of American History.

Kong has sterling institutional chops. He’s on the forefront of biotech, microfluidics, and “lab on a chip” technologies, which miniaturize large-scale processes into tiny, user-friendly interfaces. He’s forged artificial guts, created 3D-printed DNA assemblers, and worked to destroy cancer cells through miRNA-based genetic circuits. He’s a LEAP fellow and has served as guest faculty at the Marine Biology Lab in Woods Hole, MA. He was a founder of the synthetic biology team at MIT, and a founder of Metafluidics, an open repository for fluidic systems. And he earned his M.S. for developing technology for printing nanostructures with energetic beams, and his Ph.D. for demonstrating the first gene synthesis in a microfluidic system (both from the MIT Media Lab).