The Lavin Agency Speakers Bureau
A speakers bureau that represents the best original thinkers,
writers, and doers for speaking engagements.
A speakers bureau that represents the best original thinkers,
writers, and doers for speaking engagements.
Literature can show us our future—if we look.
Margaret Atwood has long been a literary titan, and her words continue to resonate with every generation. Her landmark novel The Handmaid’s Tale (1985) was adapted into a fifteen-time Emmy Award-winning television series, and its sequel, The Testaments, won the 2019 Booker Prize. Her most recent short story collection, Old Babes in the Woods, is a powerful exploration of grief and loss described as “brilliant. She’s writing at the top of her considerable powers here,” by Publishers Weekly. With wit and humor, Atwood reveals hidden truths in our societies, inspiring you to speak out against injustice and preparing you for the battle ahead. Today, her sharp eye is more crucial—and prescient—than ever.
“Every totalitarian government on the planet has always taken a very great interest in women’s reproductive rights,” says Margaret Atwood; a disquieting insight at any time, but particularly in today’s portentous political landscape. Just as it did when it was first published, the story of The Handmaid’s Tale—a future where women are treated as property of the state, run by an authoritarian regime—is unearthing chilling patterns to an uneasy public. The book’s long-awaited sequel The Testaments performed so well it broke the record for best first-day sales of any Penguin Random House title that year.
“With dry, ironic wit, a poetic sensibility and more than a hint of the Gothic, she has uncompromisingly observed the psychology of people in her society.”The New York Times
With her work already producing two blockbuster television adaptations—first The Handmaid’s Tale, then Alias Grace—Atwood’s vision is reaching a wider audience than ever before. To date, The Handmaid’s Tale has received 15 awards, including Best Drama, and Atwood herself received a standing ovation at the show. Meanwhile, Atwood’s Giller-winning, Booker-shortlisted murder mystery Alias Grace is now streaming on Netflix, and was notably written, produced, and directed by women.
In her latest short story collection, Old Babes in the Wood, she explores the depth of human experience with her signature wit and insight: touching on mother-daughter relationships, the afterlife, what it looks like to grow old together, and much more. NPR says, “Old Babes in the Wood is touching, smart, funny, and unique in equal measure. A dazzling mixture of stories that explore what it means to be human while also showcasing Atwood’s gifted imagination and great sense of humor.” But before Atwood was a novelist, and before her work became the subject of award-winning TV, she was a poet. She’s released her first poetry collection in over a decade: Dearly. By turns “moving, playful, and wise,” the poems gathered in Dearly explore bodies and minds in transition, while observing the objects and rituals that ground us in the present moment. The Washington Post calls it “hauntingly beautiful, with reflections on life and death, time and chance, and nature and zombies.”
Atwood is the author of more than fifty volumes of poetry, children’s literature, fiction, and non-fiction. To date, Atwood’s body of work has been published in more than 40 languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. She has also won many international literary awards, including the prestigious Booker Prize, Arthur C. Clarke Award, Governor General’s Award, the PEN Pinter Prize, the Ivan Sandrof Lifetime Achievement Award from the National Book Critics Circle, and a Guggenheim Fellowship. She was presented with the Companion of Honor award—given for achievements in the arts, literature, science, and politics—by Queen Elizabeth, making Atwood the third Canadian to receive the honor. Atwood is a founder of the Writers’ Trust of Canada and a founding trustee of the Griffin Poetry Prize. She is also a popular personality on Twitter, with over two million followers.
Margaret’s keynote set the stage for the subsequent panel discussions that followed in exactly the manner that we hoped would be possible. Her exploration of compassion was multi-layered, witty, and provocative, teasing with both the familiar and surprising ways that compassion shows up in the everyday. Her comments had broad appeal to the many nurses in the audience and to the general public as well. She was simply charming. Our planning team was wholly satisfied that Margaret was a fantastic choice for this event.
University of Calgary, Faculty of NursingAssociate Professor of Business Economics and Public Policy at Wharton 2024 "Top 40 Under 40" Business Professor Author, Femonomics (Forthcoming)
Instant New York Times Bestselling Author of The Story of Art Without Men 2021 Forbes 30 under 30 Europe Guardian Columnist Art Historian and Curator
Anti-Ageism Activist Author of This Chair Rocks: A Manifesto Against Ageism Co-Founder of the Old School Hub
World-Renowned Artist Winner of the US Department of State Medal of Arts Guggenheim Fellow
AR Artist Filmmaker Founder and Artistic Director of 4th Wall
Instant New York Times Bestselling Author of The Story of Art Without Men 2021 Forbes 30 under 30 Europe Guardian Columnist Art Historian and Curator
Author of Grit, the #1 New York Times Bestseller | Pioneering Researcher on Grit, Perseverance, and the Science of Success
Pulitzer Prize-Winning Creator of The 1619 Project | Executive Producer of the Emmy Award-Winning 1619 Project Hulu Docuseries | MacArthur Genius
Nike's Former Chief Marketing Officer | Author of Emotion by Design
CEO of The Atlantic | Former Editor-in-Chief of WIRED
Bestselling author of The Age of Surveillance Capitalism | Harvard Business School Professor Emerita | Activist and scholar
Margaret Atwood can speak on a wide range of issues relating to literature, social activism, political engagement, the creative process, the artist’s role in society, technology and art, and, of course, her own accomplished body of work. Her pithy observations and witty comments enlighten and challenge audiences to think critically about our relationship to words and language. “The answers you get from literature,” she has said, “depend on the questions you pose.”